Coyote grew up in Yukon Territory through the 1970s and 1980s, in a small, unnamed town. Their survival guide is full of intriguing diagrams wherein the parts are labelled but the machines are not, and it occurred to me perhaps these mysterious items are allegories for Coyote and other transgender individuals, for how this book describes their lives. To anyone who already knows what these machines are, everything in the diagrams is obvious. What it is. What it does. But because the machines aren’t always named, you can study the picture and learn all the names for the components and still not know what the item itself is supposed to do. You can learn everything there is to know about someone, about a transgender individual; read all the little labels telling you all the little details, and still not understand what their lives are like because you haven’t walked around in their skin and lived it, and how well can we ever really know another person?
But maybe I’m reading too much in to it. Maybe a diagram is just a diagram. Maybe they’re just there because this is a book for tomboys, and equipment is a manly man thing.
Tomboy Survival Guide balances tales of growing up in a rural Northern community with a more cosmopolitan adulthood, and splits both of those with the hardship of being transgender. There are original song lyrics (with chords; I didn’t try playing anything), poems, copies of letters they receive from people all over the continent asking how they can bring themselves to write about these personal, painful memories and how do the writers relate to their transgender relative and how do the writers survive their very un-trans-friendly high school? Coyote writes back. Eventually. Sometimes it takes a few months to come up with the right words to say. They are as helpful and hopeful as possible, but frequently the letters are sad. And Coyote’s own stories are often painful. There’s discrimination, hatred, ignorance, the endless bathroom debate (can we just have gender neutral bathrooms already? Like we do in houses? Or for families? Or for disabled people?), rampant sexism, threats, and sexual assault. There are many happy stories too. I actually wanted more memories and fewer poems and songs. The personal anecdotes are engaging, hilarious, and eye opening. Whereas I found the poems and other tidbits didn’t resonate with anywhere near the same intensity. I even liked the equipment diagrams better. But the songs did serve to break up reminiscences from disparate time periods and add some levity between bleaker stories, so I can see why they may have been included. And hey, if you want more of Coyote’s stories, they’ve got more books.
*edited to reflect Coyote’s use of they/their pronouns, with thanks to the individual who corrected me.